with every grain
The mainspring of my work is derived from the death of my sister from brain cancer… Since then, I have had the dilemma, in grief and surprise, of thinking about what I had and lost.
I started making art works that reflected such feelings and continue it as if I were writing a diary. Many of my works take the form of labyrinths with complicated patterns. Ruined and abandoned staircases. Too narrow life-size tunnels. And all these works are made with salt. A common perception towards them is “nearly reachable, yet not quite” or “nearly conceivable, yet not quite”
Drawing a labyrinth with salt is like following a trace of my memory. Memories seem to change and vanish as time goes by. However, what I sought for was the way in which I could touch a precious moment in my memories which cannot be attained through pictures or writings.
What I look for at the end of the act of drawing could be a feeling of touching a precious memory.
with every grain: Japanese artist Motoi Yamamoto creates intricate temporary installations using salt. He pours the tiny grains into images that look very different far away than they do up close — maze-like, lace-like, map-like, nature-like, and tempest-like patterns that are specially designed for the installation space, and they are swept up by gallery patrons returned to the sea at the end of the exhibitions.
For a deeper dive, this 12 minute documentary by John Reynolds & Lee Donaldson explores Yamamoto’s breathtaking work further.